Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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James Abbot McNeill Whistler
Nocturne in Black and Gold,the Falling Rocket

ID: 53459

James Abbot McNeill Whistler Nocturne in Black and Gold,the Falling Rocket
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James Abbot McNeill Whistler Nocturne in Black and Gold,the Falling Rocket


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James Abbot McNeill Whistler

b Lowell MA 1834 d London 1903  Related Paintings of James Abbot McNeill Whistler :. | Arrangement in Grey Portrait of the Painter | Nocturne | Arrangement in light pink and black, portrait of Theodore Duret | Symphony on White No 2 Little White Girl (nn03) | The Little Red Glove |
Related Artists:
Maria Fortuny i Marsal
painted Marocco, mercato e case in 1869
William-Adolphe Bouguereau
(November 30, 1825 - August 19, 1905) was a French academic painter. William Bouguereau was a traditionalist whose realistic genre paintings and mythological themes were modern interpretations of Classical subjects with a heavy emphasis on the female human body. William-Adolphe Bouguereau was born in La Rochelle, France on November 30, 1825, into a family of wine and olive oil merchants. He seemed destined to join the family business but for the intervention of his uncle Eugene, a Roman Catholic priest, who taught him classical and Biblical subjects, and arranged for Bouguereau to go to high school. Bouguereau showed artistic talent early on and his father was convinced by a client to send him to the École des Beaux-Arts in Bordeaux, where he won first prize in figure painting for a depiction of Saint Roch. To earn extra money, he designed labels for jams and preserves
ROSSELLINO, Bernardo
Italian sculptor Florentine school (b. 1409, Settignano, d. 1464, Firenze).Italian architect and sculptor. Influenced by Donatello, Filippo Brunelleschi, and Luca Della Robbia, he developed a moderately Classical style. His tomb for Leonardo Bruni (1444 C 50) in Santa Croce, Florence, was one of the greatest achievements of early Renaissance sculpture and inaugurated a new type of sepulchral monument. Its fine balance between sculpture and architecture, figure and decoration, made it the prototypical niche tomb of its time. He also designed the apse of St. Peter's Basilica and the cathedral and Piccolomini Palace in Pienza (1460 ?C 64). He presumably trained his brother Antonio (1427 ?C 79), who regularly assisted him.






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